Spike Lee is at Madison Square Garden for Knicks-Sixers tonight. A little over a year later, on Sunday, Lee was spotted at his usual courtside seat at Madison Square Garden for the first time since the 2020 incident. To celebrate its 30th anniversary, Lee and Antonio will revisit Do the Right Thing and reflect on the thematic parallels with the cultural climate in America today.At the time, Lee said he was done attending Knicks games that season. On November 19, Lee will take the stage at the NYU Skirball Center alongside friend and Associate Dean of Strategic Initiatives Sheril Antonio. Green has a theory: “He still remains accessible yet elusive, which is the rare and genius of Spike Lee.” Somehow though, the Madison Square Garden mainstay and the 2018 Academy Award winner ( BlacKkKlansman) still emits an aura of mystique. It takes little time researching Lee before these kinds of remarks become refrain. “And I know he’s done that for hundreds thousands of students during his tenure.” “Spike has seen every short film that I’ve ever made,” says Green. He remains a student of the craft after all these years.” “He is the epitome of originality… He’s relentless in his work ethic and in his output. “There’s nobody like Spike Lee,” says Green, whose feature film debut Monsters and Men earned a special jury prize at the 2018 Sundance Film Festival. In the last two decades alone, Lee has mentored the likes of Dee Rees ( Pariah Mudbound), Michael Larnell ( Cronies Roxanne Roxanne), Stefon Bristol ( See You Yesterday), Paul Dalio ( Touched by Fire), Reinaldo Marcus Green ( Monsters and Men), and countless other grad film students.
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While making his Emmy-winning documentary series When the Levees Broke, the director invited 15 students onto the project as interns, providing each with first-hand experience on a nonfiction classic. Whether that holds up to scrupulous fact-checking or not, the point remains: Lee has a habit of making himself an abundant resource, over and over again. It’s been said by numerous colleagues that Lee has never missed a class. Two years later he joined the faculty at NYU Tisch, where he has served as artistic director of the Graduate Film Program since his appointment in 2002.īut to access the heart of Spike Lee’s contributions to academia-which is to access a man who is by all accounts inexhaustible-one must go through his students and his peers. He received his MFA in 1982, and shortly after his success with the Oscar-nominated Do the Right Thing in 1989, Lee would teach his first course on filmmaking at Harvard.
After receiving his BA from Morehouse College in 1979, Lee returned home from Atlanta to begin graduate film studies at NYU Tisch School of the Arts.
His grandmother and mother were both educators, and Lee often cites their influence when describing his own reverence for the craft.
Professor Lee is the descendant of a family of teachers. In examining the filmmaker, to ignore his contributions to the next wave of artists would be to paint a partial picture, one that neglects his diligence as an educator inside and outside the classroom. And yet for all his acclaim as an auteur-or as any of the designations mentioned above-there remains a role that Lee may cherish most: In some parts of the world he is arguably as recognizable for his work on screen as he is for his courtside appearances at Knicks games, where he’s been wont to assail opposing players with a playful insult or two (or more if one Reggie Miller is the recipient). Spike Lee as an icon transcends the art space. Oftentimes, one has come to imitate the other, recalling that old adage that truth is indeed stranger than fiction. Across four decades he has developed socio-political art that is at once urgent and popular, deftly straddling stories of race and politics both fictional and real. Since the artist’s 1986 breakthrough film S he’s Gotta Have It, Lee’s prolific output has gone nearly unrivaled by any filmmaker working during his time. The Development & Alumni Relations TeamĬonsider the many Spike Lees the world has come to know: the distinguished filmmaker, the fervent activist, the basketball aficionado.Clive Davis Institute of Recorded Music.Rita & Burton Goldberg Department of Dramatic Writing.Martin Scorsese Institute of Global Cinematic Arts.Maurice Kanbar Institute of Film & Television.
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